The session, step by step
How the day runs.
01
Split the day by workflow
Send the range and the date, then split the list by lighting setup rather than by product: everything that shares a set-up in one block, anything needing a restyle in another. That split is the day — a pre-sorted, pre-steamed rail in shooting order does more for a catalogue day than any piece of equipment.
You bring: A shot list split by lighting setup, and the range in shooting order.
02
Light the cove once
The eight-metre Infinity Cove is set for a consistent white seamless and then left alone — nothing moves for the rest of the day, which is the entire point. Flat-lay tables are staged in the side zone at the same time, so two workflows are ready before the first frame.
03
The floor, in two lanes
A dressed model on the cove and flat-lay on the tables, running in parallel. The included studio assistant unpacks, steams, swaps and resets while the camera keeps working — on a volume day that is the difference between finishing and rebooking.
04
Upload while you shoot
The wired 100 Mb/s drop carries a live tethered upload for the whole day, so the retoucher can start on the morning's take before the afternoon block finishes. Review runs on a second screen at the tether desk.
You bring: Your camera, your laptop, your tether cable and the drive the day lands on.
05
Wrap
The studio is locked for your session — no other booking can push you out mid-run. If you overrun, overtime is AED 400 an hour. Stock is stored securely overnight between the days of a multi-day booking, or held for a courier pickup. Retouching and post are not part of the room rate.


